【剪墨巴黎｜郑泰均现场画完墨未干就被法国人剪了】2025巴黎大皇宫独立艺术家展

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作品：【剪墨巴黎】墨未干画已剪

时长：01分27秒

画者：zheng taijun郑泰均

摄影：Lili

剪辑：zheng taijun

文字：Karen

日期：2025年2月19日

鸣谢：巴黎大皇宫独立艺术家展的特邀

法中经济文化交流协会

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Exhibition Scene: "Cutting Ink in Paris | Zheng Taijun's Artwork Cut by a French Collector Before the Ink Dried"

画展现场:剪墨巴黎｜郑泰均现场画完墨未干就被法国人剪了

-2025 Paris Grand Palais Independent Artists Exhibition

-2025巴黎大皇宫独立艺术家展

受巴黎大皇宫独立艺术家展特邀，中国艺术家郑泰均来到现场画墨！

当灵动的笔墨在纸上画现时，在场观众都被变幻无穷的东方水墨所触动！墨色未干，就有一位观看了许久的法国观众走上前，当场要出价收藏，但由于画作是长卷，不知如何挂，郑泰均就毫不犹豫地拿出一把剪刀，这位法国藏家就在又惊又喜中，剪开了这幅水墨······

Invited by the Paris Grand Palais Independent Artists Exhibition, Chinese artist Zheng Taijun arrived to create ink paintings live on site!

As his dynamic brushstrokes brought the paper to life, the audience was deeply moved by the ever-changing charm of Eastern ink art. Before the ink had even dried, a French spectator who had been watching for a long time stepped forward, offering to purchase the artwork on the spot. However, since the piece was a long scroll and difficult to display, Zheng Taijun without hesitation, took out a pair of scissors. The French collector, both nervous and delighted, cut the ink painting...

1 一把剪刀，剪开了东西方艺术的边界

A Pair of Scissors Cutting Through the Boundaries of Eastern and Western Art

画行者郑泰均，以其独特的画行水墨，不仅打破了传统展览的静态模式，也用一把剪刀，剪出了一场跨越东西方文化的艺术对话。这一艺术事件，不仅是一次展览，更引起了艺术界关于艺术本质、文化边界与收藏行为的深刻探讨。

Zheng Taijun, the "traveler in the world of art",with his unique ink art, not only broke the static mode of traditional exhibitions but also used a pair of scissors to cut open a cross-cultural artistic dialogue between the East and the West. This artistic event was not just an exhibition; it sparked profound discussions in the art world about the essence of art, cultural boundaries, and the nature of art collection.

2 一场“未干”的艺术交易：剪刀下的即兴仪式

An "undried" art deal: The Impromptu Ritual under the scissors

这一举动，不仅是对传统艺术交易模式的颠覆，更是一种极具象征意义的艺术事件。剪刀的介入，将一幅完整的作品分割，打破了“艺术品必须完整保存”的传统观念。这种“未干即剪”的行为，既是对艺术即时性的强调，也是对收藏行为本身的一种解构。法国观众紧张而喜悦地剪下画作，仿佛参与了一场即兴的艺术仪式，而郑泰均则通过这一行为，将观众从被动的观赏者转变为主动的参与者。

This act was not only a subversion of traditional art transaction models but also a highly symbolic artistic event. The intervention of the scissors divided a complete artwork, breaking the traditional notion that "art must be preserved in its entirety." This act of "cutting before the ink dries" emphasized the immediacy of art and deconstructed the very act of collecting. The French spectator, both nervous and joyful,cut the artwork, as if participating in an impromptu artistic ritual. Through this act, Zheng Taijun transformed the audience from passive viewers into active participants.

3 水墨的当代性：郑泰均如何重新定义东方艺术？

The Contemporary Nature of Ink Art: How Zheng Taijun Redefines Eastern Art

郑泰均的作品并非传统意义上的水墨画，而是对东方水墨精神的当代诠释。他的画作不再局限于山水、花鸟的传统题材，而是通过灵动的笔触与变幻的墨色，表达出一种跨越文化的情感共鸣。在巴黎大皇宫的展览中，他的作品与西方观众的互动，展现了水墨艺术在当代语境下的全新可能性。

这种可能性不仅体现在形式上，更体现在观念上。郑泰均通过即兴创作与观众的即时互动，打破了艺术创作的封闭性，将水墨艺术从传统的“文人雅趣”中解放出来，赋予其更强的公共性与参与性。这种转变，正是东方艺术在全球化语境下的必然选择。

Zheng Taijun's works are not traditional ink paintings but rather a contemporary interpretation of the spirit of Eastern ink art. His pieces no longer confine themselves to traditional themes like landscapes, flowers, and birds. Instead, through fluid brushstrokes and ever-changing ink tones, they express a cross-cultural emotional resonance. At the Paris Grand Palais exhibition, his interaction with Western audiences showcased the new possibilities of ink art in a contemporary context.

This potential is not only reflected in form but also in concept. Zheng Taijun, through his improvisational creation and real-time interaction with the audience, broke the closed nature of artistic creation, liberating ink art from the traditional "scholar's elegance" and endowing it with greater public and participatory qualities. This transformation is an inevitable choice for Eastern art in the context of globalization.

4 艺术无国界？剪刀剪开的不仅是画作，更是文化边界

Is Art Borderless? Scissors cut not only paintings, but also cultural boundaries

郑泰均在巴黎大皇宫的这场“剪墨事件”，不仅是一次艺术交易，更是一次文化碰撞的缩影。通过这一行为，他巧妙地揭示了艺术无国界的理想与现实之间的张力。剪刀剪开的不仅是画作，更是东西方文化之间的边界。法国观众的紧张与喜悦，郑泰均的复杂心情，都反映了这一行为背后的文化差异与共鸣。

这一事件也引发了关于艺术价值与收藏行为的深刻思考。在当代艺术市场中，艺术品的价值往往与其完整性、稀缺性密切相关。而郑泰均通过剪刀的介入，挑战了这一传统观念，提出了一种更为开放、动态的艺术价值体系。

Zheng Taijun's "ink-cutting event" at the Grand Palais was not just an art transaction but also a microcosm of cultural collision. Through this act, he skillfully revealed the tension between the ideal of "art without borders" and its reality. The scissors cut not only the artwork but also the boundaries between Eastern and Western cultures. The nervousness and joy of the French spectator, as well as Zheng Taijun's complex emotions, reflected the cultural differences and resonance behind this act.

This event also sparked profound reflections on the value of art and the nature of collecting. In the contemporary art market, the value of an artwork is often tied to its completeness and rarity. By intervening with scissors, Zheng Taijun challenged this traditional notion, proposing a more open and dynamic system of artistic value.

5 结语：郑泰均的剪刀，剪出了什么？

Conclusion: What Did Zheng Taijun's Scissors Cut Open?

郑泰均的这场“剪墨事件”，不仅是一次艺术展览的特殊体验，更是一次关于艺术本质的深刻探讨。通过这一事件，他不仅重新刷新了水墨艺术的当代性，也挑战了传统艺术交易与收藏的模式。这场发生在巴黎大皇宫的艺术事件，不仅让东方水墨艺术在西方绽放，更通过一把剪刀，剪开了东西方艺术之间的边界，剪出了一场关于文化、价值与身份的全球对话。

画行者郑泰均，剪墨巴黎，剪开的不仅是一件水墨，更剪开了东西方文化艺术交流另一种可能……

Zheng Taijun's "ink-cutting event" was not just a unique experience at an art exhibition but also a profound exploration of the essence of art. Through this event, he not only redefined the contemporary nature of ink art but also challenged traditional models of art transactions and collecting. This artistic event at the Paris Grand Palais not only allowed Eastern ink art to blossom in the West but also, through a pair of scissors, cut open the boundaries between Eastern and Western art, initiating a global dialogue about culture, value, and identity.

Zheng Taijun, the "traveler in the world of art", by cutting ink in Paris, did not just cut open an ink artwork, he cut open another possibility for cultural and artistic exchange between the East and the West...

······策展人Karen

— Karen,the curator